Mara Lindqvist has worked with clay for eighteen years, most of them in a shared studio with a stubborn kiln and very good neighbours. She writes about throwing, glazing and the unglamorous middle of a creative practice.
Latest articles
- The shape of a studio morning
- Centring is a conversation, not a command
- Choosing a clay body for the work you actually make
- Trimming is the quiet half of the pot
- Learning to glaze without chasing other people's results
- Loading a kiln is a puzzle with consequences
- What hand-building taught me about the wheel